Art in the
Twenty-First Century, 4


Homme-Témoin



Homme-Témoin. Homme-Témoin (Man as Witness). "A group of French artists who were united in their promotion of expressive Social Realism in opposition to the current schools of abstraction. They came to public noctice in 1948 when Michel de Gallard, Bernard Lorjou, Yvonne Mottet, Paul Rebeyrolle and Michel Thomson exhibited at the Gal. du Bac, Paris. They declared that 'man is an eater of red meat, fried potatoes, fruit and cheese', solidy rooted in the elementary material needs of daily life, and that his need in consequence was for true, authentic and direct pictures. They set the solid common sense of the populace against the refinements of the abstractionists who, engrossed in their purely pictorial problems, had lost contact with ordinary life . . . . "[Osborne, Harold, editor. The Oxford C ompanion to Twentieth-Century Art. Oxford University Press. 1988.] author

Homme-Témoin artists:

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Michel de Gallard
Bernard Lorjou
Yvonne Mottet
Paul Rebeyrolle




video art video art
Arte Povera Minimal Art
Photography Performance Pop Art Surrealism Dada

Themes and Movements
Comprehensive overviews of twentieth-century and contemporary art history in three sections: an illustrated survey essay, works section with extended captions and a compendium of primary and critical documents. Also available: Conceptual Art, Land and Environmental Art, Art and Feminism.

Environmental Art Calendar 2008 The artworks featured in the Environmental Art 2008 wall calendar were drawn from the global archives of greenmuseum.org, a not-for-profit online museum of environmental art. It provides a sampling of some of the latest developments in this field to stimulate the imagination and promote the role of art in the creation of a more sustainable world culture.


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