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Zbigniew Oksiuta
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Zbigniew Oksiuta
Drawing on the principle of living systems that emerge out of protective liquid membranes,Oksiuta’s architectural constructs generate forms in which ‘the borderline separating the interior from the outer environment is not a foreign body…
Zbigniew Oksiuta
While architecture evokes ideas of stability and immobility, he envisions the possibility of making it living and unstable. Vegetable matter could become a live habitat, an isolated spatial entity that takes up, transforms, and synthesizes matter and energy from its surroundings by biological means…
Zbigniew Oksiuta
Zbigniew Oksiuta’s projects are a crossover of architecture, art and biological sciences…
Zbigniew Oksiuta
Can life processes, which normally take place at the nano-scale, in proteins, acids and saccharides, translate into the macro-scale? We understand that a stretching of a living cell to the size of a house is not possible…
Zbigniew Oksiuta
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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new... |
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South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success... |
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James Rosenquist. Painting Below Zero: Notes on a Life in Art. “Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon |
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