Elisheva Levy
Categories: Herzliya Biennial Painting Sculpture Objects
documents of modern & contemporary art
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Elisheva Levy
In “Oh!,” Levy creates a swath of sweet blue graffiti sky on slippery, shiny panels across the gallery’s floor. Viewers come upon a moment of mutual surprise, as the artist appears to have just suddenly fled upon discovery, leaving behind the spray-cans of her idling wonder. Upon closer inspection, however, these cans reveal themselves as beautifully constructed paper fabrications…
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Elisheva Levy
“MFA SCULPTURE 2”
Elisheva Levy
Israeli news service Haaretz champions Elisheva Levy’s current installation in the Herzliya Biennial of Contemporary Art in Israel as a notable contribution. In addition, she was recently featured in “FIRST LOOK II: the best of the new artists in the U.S.” at the Hudson Valley Center for Contemporary Art…
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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new... |
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Documents of Twentieth-Century Art. Conversations with Cézanne Once admired as a forerunner of modernists like Picasso and Braque, Cezanne is now appreciated on his own, and some art history mavens are even accepting that his achievement was unmatched by later generations. This is the long-awaited English version of a book that appeared in French in 1978 and has ever since been a cornerstone of Cezanne studies... |
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James Rosenquist. Painting Below Zero: Notes on a Life in Art. “Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon |
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