Igor Makarevich

Igor Makarevich





Igor Makarevich was born 1943 BirthTrialety, Georgia, USSR.
Lives and works in HomeMoscow, Russia.

Categories: Printmakers Sculpture Objects Venice Biennale Conceptual Art

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“Russian Idea” by Igor Makarevich and Yelena Yelagina is indisputably one of the most outstanding works of contemporary Russian art over the last two years. The grand installation combines photography, video art and objects that are made of most singular and unexpected materials such as black bread and soil, as well as problem setting, typical of present-day reality. By returning to the concept of “Russian idea” that was originally developed by renowned philosophers and writers of the 19th century, the authors actualize issues related to national self-determination and overall responsibility, universal values and respect toward individuals. ..
Igor Makarevich has created several projects dealing with the history of Borisov, a character he invented, a modest Soviet accountant in a wood-processing industrial complex, who due to severe mental and sexual disorders dreamed of changing into a tree…
Born in 1943 in Trialety, Georgia (USSR), Igor Makarevich lives and works today in Moscow. He attended the Moscow Art School during the years 1955-1962, and the Institute of Cinematography, also in Moscow, from 1962-1968. Makarevich’s work responds to contemporary Russian life and culture, which he believes corrodes individual identity and seeks to efface nonconformist art…
Makarevich has described life in the Soviet Union as a gradual process of annihilation, resulting from the absence of hope. “If the nonconformist artist did not comply officially, he stopped existing. He was blotted out, erased.” In Stratigraphic Structures the gradual extinction of the individual human spirit is depicted metaphorically through a series of manipulated photographic images. Makarevich often works with serial photographic portraits and plaster casts of faces, arranged in a grid formation…
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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new...

South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success...


James Rosenquist. Painting Below Zero: Notes on a Life in Art.
“Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon







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