Lalla Essaydi

Essaydi, Lalla





Lalla Essaydi was born 1956 BirthMorocco.

“In my art, I wish to present myself through multiple lenses—as artist, as Moroccan, as Saudi, as traditionalist, as Liberal, as Muslim. In short, I invite the viewer to resist stereotypes.”

Categories: Photography

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Lalla Essaydi
The traditions of Islam exist within spatial boundaries. The presence of men defines public space, the streets, the meeting places. Women are confined to private spaces, the architecture of the homes. In these photographs, I am constraining women within space, confining them to their “proper” place, a place bounded by walls and controlled by men. Their confinement is a decorative one…

Lalla Essaydi
At first glance, the works of Moroccan photographer Lalla Essaydi seem overrun with Arabic calligraphy spills across, around and over nearly every element. The incessant, intricate pattern is both background and foreground, covering the central figures and the swaths of cloth hung behind them equally. Despite this, Essaydi’s photographs are quiet rather than clamorous, the brown lines of calligraphy slip across serene, sepia- clad, often veiled female figures and backdrops, speaking of a quiet determination.

Lalla Essaydi
Through her thought-provoking photographs, Moroccan-born artist Lalla Essaydi confronts the issues of confinement and repression experienced by many women in Islamic societies…

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James Rosenquist. Painting Below Zero: Notes on a Life in Art.
“Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon







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