Nina Canell
Categories: Installation art Sculpture Objects Manifesta
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Nina Canell
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Nina Canell
Her work seeks ways to address sculpture as a restless form with fleeting properties. Relating spatial and structural concerns to that elusive fabric which constitutes the melancholic nature of being, the work facilitates a place in which matter and non-matter hold hands through carefully balanced sculptural happenings…
Nina Canell
Hinged upon an electromagnetic fabric, a number of works relate to each other through pools of radiated light, creating a place in which matter and non-matter meet up in a series of carefully balanced sculptural happenings. This “community” of objects is part of an ongoing series of Heat Sculptures which often appear, in Nina Canell’s practice, as improvised formations using neon and other debris…
Nina Canell
Canell’s interest in cause and effect, and her fondness for abject materials and casual apparatus—plastic buckets, plastic bags and plastic funnels; cassette players, cables, and electric fans—lead to artfully informal assemblages of objects that often beget real results, slight as they may be…
Nina Canell
To Be Hidden & So Invisible
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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new... |
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Documents of Twentieth-Century Art. Conversations with Cézanne Once admired as a forerunner of modernists like Picasso and Braque, Cezanne is now appreciated on his own, and some art history mavens are even accepting that his achievement was unmatched by later generations. This is the long-awaited English version of a book that appeared in French in 1978 and has ever since been a cornerstone of Cezanne studies... |
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James Rosenquist. Painting Below Zero: Notes on a Life in Art. “Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon Iranian Photography Now, Phaidon Art, Parkett Magazine. |
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