Zhang Haiying’s Anti-Vice Campaign series takes as its subject the Chinese government’s recent initiatives in eradicating prostitution and pornography. Executed on monumental scale and in faux social realist style Zhang’s paintings use the devices of propaganda for non-politicised means: his works neither advocate nor criticise illicit activity, but draw from the associated issues of power, exclusion, vulnerability, and perception to create images of emotive discord…
Zhang is not attempting to present a case for the decriminalization of prostitution, but as an artist, hopes instead to portray their frail humanity and the sympathy their shame evokes. The series examines the anguish of the purge, from the crime itself to arrest and detention. Taken as a whole, Anti-Vice paintings reflect an awkward condition in contemporary Chinese society…
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