Yin Xiuzhen

Xiuzhen, Yin





Yin Xiuzhen was born 1963 BirthBeijing, China.
Lives and works in HomeBeijing.

Categories: Installation art

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Documents of modern & contemporary art.

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Beijing Opera
Yin Xiuzhen’s art explores how individual life experiences operate in the context of broad issues and in the links between external appearances and internal responses.
Yin Xiuzhen’s work embraces the notion of memory, whatever its form might be. Memory is a critical tool that allows her to examine the political, social, historical, environmental and human constructs that surround her…
Proposal for the Long March – A Walking Visual Display
Yin Xiuzhen’s art works feature creating strong illusive power with "time prints" such as experience and memory.

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art book recommendations



Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new...

South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success...


James Rosenquist. Painting Below Zero: Notes on a Life in Art.
“Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon







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