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Style and technique of the artist: Sculpture Objects, Land and Environmental, Gwangju Biennale,
Works in partnership with Claire Oboussier
"…the viewer will, it is hoped, better be able to sense his/her relation with the environment of which s/he is a part. In this sense the trunks will function rather like a frame surrounding a painting. They embody a strong physical presence of their own and yet beyond this and more important are the apertures which perforate their solid form and open onto the world beyond. It is hoped that our gaze will be awakened by this myriad of fragments glimpsed through 720 passages"…