Sze’s sculptures are flowing structures consisting of a conglomeration of small-scale household items that respond to and infiltrate the surrounding architecture…
ven the details in Sarah Sze’s sculptures have details. All her installations are extraordinarily ambitious and are constructed with fastidious precision, consequently, her output is relatively small compared with many other artists. Every thing in its right place, 2002–03, is one of her most important and most ambitious works…
"I loved going to the museum growing up. I was infatuated with the Sargents, especially The Daughters of Edward Darley Boit, and I remember setting up my easel in front of the Thomas Sully, The Torn Hat, and spending the afternoon drawing—I was in heaven."