The central installation takes a market vendor’s cart that would once have carried Coca Cola, beer, plastic toys, jugs, footballs, brushes, razors and pans, and subverts it into a biting critique of the consumer encounter. Where once hung newly manufactured products, waiting for consumption, we now find empty shells and spent materials – the debris of capitalist exchange.
Hazoumé’s masks conform more to the recovery of their materials than to Yoruba traditions; however, there are also important links with this heritage. He has said about his masks that he sees them “exiting” or “departing.”
La Bouche du Roi is a multi-media installation, the main components of which are 304 ‘masks’ made from black plastic petrol cans, a CD of sounds and voices, and a short film detailing the lives of motorcyclists who run petrol between Bénin and Nigeria, a form of modern day slavery…