Hans Arp prints




Colour (Documents of Contemporary Art)
This is an interesting look at the history of color theories. It has writings by artists and theorists. It follows a historical progression. As an artist I was drawn to comments by other artists. Much of the writing is detailed and some color theory would be helpful but certainly not necessary. David Batchelors work is wonderful and thought provoking and this book is likewise. With Joseph Albers, Mel Bochner, Daniel Buren, Carlos Cruz-Diez, Robert Delaunay, Sonia Delaunay, Jimmie Durham, Helen Frankenthaler, Paul Gauguin, Donald Judd, Wassily Kandinsky, Paul Klee and many more...

. The Spiritual in Art
. Art can only be Erotic

 FRANCE
  Raul Anguiano

Raul Anguiano

Born  Febr 26 1915,  Guadalajara, Jalisco,  Mexico.
Died  Jan 13 2006,  Mexico City.
Mexican School of Painting

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The Mayas
Raul Anguiano (1915-2006), led a prestigious artistic career that took him around the world. His paintings, drawings and mural work can be found in some of the world’s most prominent museums and the Bowers Museum is fortunate to have two of his mural size paintings, both of which are now on permanent exhibit...
works and biography
Raúl Anguiano- Born in Guadalajara, Mexico in 1915, Anguiano graduated from the Guadalajara School of Painting in 1934. He taught art in New York City at the Art Students League, before returning to Mexico City as a scholar. He has illustrated many books and participated in group and solo exhibits. A founding member of the legendary Taller de la Gráfica Popular, Anguiano won the prestigious National Arts Award in 2002. Anguiano, and with Zalce and Chávez Morado is considered a among the artists of the second generation of Mexican Masters...
Raul Anguiano
'Muchacha de Juchitan' and 'Homenaje a Giacometti'
Raul Anguiano
Istmeña
Raul Anguiano
Very early, Anguiano demostrated a talent for drawing, an interest in modern painting, and a preference for figure work. His art studies were begun in 1923 at the Escuela de Pintura al Aire Libre supported by the Museum of Guadalajara...

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DOCUMENTS OF CONTEMPORARY ART


THEORY IN CONTEMPORARY ART (Documents of Contemporary Art) is a groundbreaking anthology that captures the essence and the edge of the contemporary art scene. Provides the first truly comprehensive and international anthology of theory in contemporary art of the last two decades.
Brings together a broad selection of important contributions to the fields of contemporary art, theory, and culture from established and emergent art voices, including scholars, curators, critics, and artists from around the globe.
Focuses on key theoretical and aesthetic issues in contemporary art, such as cultural/multicultural theory, identity politics, AIDS, post-colonialism, globalization, and spectatorship.
Includes editorial material and 44 illustrations.

THE ARTIST'S JOKE (Documents of Contemporary Art) The Artist's Joke surveys the rich and diverse uses of humor by avant-garde and contemporary artists. The texts collected in this new reader from London's Whitechapel Gallery examine what Andre Breton called the "lightning bolt" of the unsettlingly comic, as seen in the anarchic wordplay of Duchamp, Picasso, the Dadaists, and Surrealists; Pop's fetish for kitsch and the comic strip; Bruce Nauman's sinister clowns and twisted puns; Richard Prince's joke paintings; art ambushed by feminist wit, from the Dadaism of Hannah Hoch in the 1920s to the politicized conceptualism of Jenny Holzer and Barbara Kruger in the 1980s; the serenely uncanny in Mike Kelley's installations and the risibly grotesque in Paul McCarthy's; and the strangely comic scenarios of artists as various as Maurizio Cattelan, Andrea Fraser, Raymond Pettibon, and David Shrigley. Artists' writings are accompanied and contextualized by the work of critics and thinkers including Freud, Bergson, Helene Cixous, Slavoj Zizek, Raul Anguiano, Jorg Heiser, Jo Anna Isaak, and Ralph Rugoff.

THE CINEMATIC (Documents of Contemporary Art) The cinematic has been a springboard for the work of many influential artists, including Victor Burgin, Philip-Lorca diCorcia, Stan Douglas, Nan Goldin, Douglas Gordon, Cindy Sherman, and Jeff Wall, among others. Much recent cinema, meanwhile, is rich with references to contemporary photography. Video art has taken a photographic turn into pensive slowness; photography now has at its disposal the budgets and scale of cinema. This addition to Whitechapel's Documents of Contemporary Art series surveys the rich history of creative interaction between the moving and the still photograph, tracing their ever-changing relationship since early modernism.


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