Rachel Whiteread

Whiteread, Rachel





Rachel Whiteread was born 1963 BirthLondon, England.

Categories: Installation art Sculpture Objects Postminimalism BritArt Turner Prize

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Works in the Tate collection
Born in 1963, Rachel Whiteread studied painting at Brighton Polytechnic and shifted her focus to sculpture as a student at London’s Slade School of Fine Art (1985–87). In the early 1990s she began to receive international attention as part of a stylistically diverse group referred to as the Young British Artists…
British artist Rachel Whiteread’s first public sculpture in the United States. Water Tower is a translucent resin cast of the interior space of a 12’2" (high) x 9’ (diameter) wooden water tank. The tank served as a mold for the resin and once removed, a clear monolithic form was revealed. The hollow cast was raised 7 stories to rest upon the dunnage (steel tower frame) of a Soho rooftop…
Works in the MOMA collection

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art book recommendations



Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new...

South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success...


James Rosenquist. Painting Below Zero: Notes on a Life in Art.
“Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon







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