On a hot summer day in 1999, Przemyslaw Kwiek took a public bus from Lomianki to Warsaw. He got off the bus close to the Palace of the President of the Republic of Poland. He took a photo of the Palace with a 30 years old Soviet made ZENIT camera…
Since 1967, Przemyslaw Kwiek photographed each consecutive stage of a sculpted nude in process and then destroyed it to move on to a new ‘material-spatial’ configuration created on the basis of the previous one. He repeated the process numerous times. The sculpture, in its traditional form, was created only for a moment, and the only material trace of it was the photographic documentation…