Piero Manzoni

Piero Manzoni was born July 13 1933 BirthSoncino Cremona, Italy.

Died Febr 6 1963 deathMilan.

Categories: Painting Minimal Art Arte Povera Conceptual Art Zero Sydney Biennale

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Viewed with hindsight, Manzoni might well be seen as at the more ephemeral end of the timeline of his own classification. His life was tragically short, ending in 1963 when he was aged just 29. His output in the circumstances was impressive, and his influence in conceptual and performance art undeniable…

piero manzoni

Works in the Tate collection

piero manzoni

Piero Manzoni was born on 13 July 1933 in Soncino (a village in the Po Valley in the province of Cremona). He grew up in Milan, spending his summer holidays at Albisola Marina (a seaside resort on the Liguria Riviera), where he and his parents used to meet Lucio Fontana, the founder of the Spatialism avant-garde movement…

piero manzoni

Works in the MOMA collection

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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new...

South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success...

James Rosenquist. Painting Below Zero: Notes on a Life in Art. “Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon

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