Oyvind Fahlstrom
Oyvind Fahlstrom was born Dec 28 1928 BirthSao Paulo, Brazil.
Died Nov 9 1976 deathStockholm, Sweden.
Categories: Painting Printmakers Pop Art Documenta Kassel Venice Biennale
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A multi-media artist, Oyvind Fahlstrom (1928-1976) produced works in film, performance, installation, sculpture, print, and painting. His influences were diverse, including the Dadaists and Surrealists, pre-Columbian manuscripts and modern Mexican art, john Cage, and underground American comic books…
"Kisses Sweeter Than Wine"
Born in 1928 in São Paulo of Scandinavian parents. In July 1939 he was sent to Stockholm, Sweden, by his parents to visit his maiden aunt and aged grandfather…
In 1961 Fahlström resettled in New York. His painting Sitting was executed in 1962 in several versions. In the second of these (1962; Stockholm, Mod. Mus.) Fahlström introduced loose forms that, with the aid of magnets, could be moved anywhere across the picture’s surface, creating what he termed his ‘variable paintings’…
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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new... |
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South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success... |
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James Rosenquist. Painting Below Zero: Notes on a Life in Art. “Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon |
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