In Hateball, Mellors presents a tokenistic ‘global view’; an East versus West structure in which the different representative works compete with and undermine each other’s positions. The idea of abstraction as a potentially threatening force permeates this exhibition…
Nathaniel Mellors was born in Doncaster in 1974. He studied at the Ruskin School, Oxford University and is currently in the final year of his Masters in Sculpture at the Royal College of Art…