Mona Hatoum
Mona Hatoum was born 1952 BirthBeirut, Lebanon.
Lives and works in HomeLondon, England.
Categories: Roswitha Haftmann Prize Sculpture Objects Postminimalism Installation art
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Documents of modern & contemporary art.
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Mona Hatoum’s art invites us to experience anew the cultural intersections that link our identities with the physical and perceptual world surrounding us. Like many artists working today, Hatoum employs a wide variety of media and techniques, but her unique style is characterized by forms and materials that evoke feelings of intimacy and familiarity, while simultaneously suggesting the possibility (whether real or imagined) of physical danger.
BEHIND THE SCENES: An Interview with Mona Hatoum
Traffic’ Suitcases, metal, plastic, human hair
Entrails transforms an age-old textile form — the carpet — with unsettling effect…
Hatoum uses color to emphasize the intensity of her experiences and to suggest wider political meanings beyond her personal experiences…
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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new... |
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South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success... |
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James Rosenquist. Painting Below Zero: Notes on a Life in Art. “Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon |
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