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Style and technique of the artist: Installation art, Sculpture Objects, Relational art, Sydney Biennale, Venice Biennale, Land and Environmental,
Cattelan’s uncompromising, often dangerous will to provoke his audience is exemplified in the notorious Frankie and Jamie (2002), an image of two wax-figure policemen leaning upside-down against a wall - the artist’s own ambiguous commemoration of 9/11