Malcolm LeGrice is probably the most influential modernist filmmaker in British cinema. LeGrice’s work has explored the complex relationships between the filmmaking, projecting and viewing processes which constitute cinema as a medium, and shows an intense interest in the processes enabled by optical printers and by the combination of different types and gauges of film stock…
I have come to realize that my main interest is in creating experiences rather than concepts. Ideas emerge from sensation from colour, image, sound, movement and time.’