"it’s obviously not about re-photographing the photographs to make exact copies, but to intervene and bring a spectrum of feelings – warmth, humour, anxiety – to what might otherwise be considered cool aloof image. You can see the illusion of my hand in the layering. It looks like a drawing. It’s not systematic or uniform. The opacity of every layer is a different fallible, human decision".
Working with appropriated imagery, Idris Khan’s photos are all-encompassing composites, consolidating iconic cultural symbols of similar type into single ‘super-images’. In this selection of his every… series, Khan aggregates the work of renowned artists Bernd and Hilla Becher, famous for their vast photographic collections of buildings and industrial sites…