Claus centrum
His work shows no preference for any particular style, genre or art form. The best possible realisation of the aimed for effect is what matters. The way he explores and crosses certain boundaries testifies to his great artistic mastery. About painters and their work, he writes essays (Karel Appel. Painter 1962), commentary text for a documentary (Brueghel, 1969), scripts (Rubens, 1977) and most often poems (about Jeroen Bosch, Hugo van der Goes, Paul Joostens, Roger Raveel and others)…