Heringa van Kalsbeek
Liet Heringa & Maarten van Kalsbeek
Heringa van Kalsbeek was born L: 1966; M: 1962 BirthL: 's-Hertogenbosch; M:Oegstgeest, Netherlands.
Lives and works in HomeAmsterdam.
Categories: Sculpture Objects
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Documents of modern & contemporary art.
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In order to be able to describe a peculiarity in the work of Heringa/Van Kalsbeek it is necessary to bring into mind the overall history of sculpture. Going around this way clarifies a structural aspect in their art, an aspect that doesn’t strike one at first sight, but that contains the secret quality of this work…
Marcks jumping Chinese, tob e stored Laos style, 2004
Liet Heringa (1966, ’s-Hertogenbosch) en Maarten van Kalsbeek (1962, Oegstgeest) werken sinds 1998, na hun studie aan de Rietveld Academie, samen onder de naam Heringa/Van Kalsbeek. Hun sculpturen zijn een hybride kunstvorm die het midden houden tussen autonome beeldende kunst en toegepaste kunst…
Untitled work at L’Institut Néerlandais
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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new... |
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South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success... |
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James Rosenquist. Painting Below Zero: Notes on a Life in Art. “Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon |
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