|
|
Style and technique of the artist: Collage, Conceptual Art, Installation art, Sydney Biennale,
The work of Giulio Paolini appeared on the art scene in the early Sixties, at a time when not only the visual arts, but also the literary culture and human sciences in general were examining themselves as if reflected in a mirror, tracing their physical traits back to a last constituent genetic mapping. It is difficult
to view the self-reflectivity of that period as a form of narcissism, as analytical as it may have been. However, introducing the word “passionate” to it may help us view Paolini’s work not as an act against representation but, on the contrary, as a gesture of love towards it, just as what underlay the
works of Roland Barthes, Jorge Luis Borges and Italo Calvino – and, indeed, was the source of the limpidity with which these writers deconstructed the literary language – was an act of love towards the rational understanding of life and towards literature…