Fernand Legér
Fernand Legér was born Febr 4 1881 BirthArgentan, France.
Died Aug 17 1955
Categories: Painting Printmakers Cubism Documenta Kassel
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In his late paintings, Léger separated color from his figures, which, while they retained their robotlike shapes, were painted in black lines. The color was then boldly laid over areas of the canvas to form a separate composition that tied the entire painting together…
Joseph Fernand Henri Léger was born February 4, 1881, in Argentan, France. After apprenticing with an architect in Caen from 1897 to 1899, Léger settled in Paris in 1900 and supported himself as an architectural draftsman…
Fernand Léger (1881-1955) has long been acknowledged as one of the major artists of his time. His art, however, has been subject to more misunderstanding than that of any of his peers in the founding generation of twentieth-century modernism…
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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new... |
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South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success... |
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James Rosenquist. Painting Below Zero: Notes on a Life in Art. “Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon |
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