Dre Wapenaar

Wapenaar, Dre





Dre Wapenaar was born Aug 13 1961 BirthBerkel en Rodenrijs, Netherlands.
Lives and works in HomeRotterdam.

Categories: Design Sculpture Objects

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Documents of modern & contemporary art.

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Artist’s website
Dre Wapenaar describes himself as an artist who happens to work in tent design…
Dré Wapenaar designed the 4GPP: 4 Grand Piano Pavilion specially for the composer Simeon ten Holt whose music has a strong spatial effect. For the Boulevard theatre festival in Den Bosch, 5-14 August 2004, Wapenaar’s mobile 4 Grand Piano Pavilion was erected in the Bossche Broek. Here Michiel Borstlap, Ramón Valle and others performed Ten Holt’s music…
Pavilion at Mass MoCa, online video

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art book recommendations



Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new...

South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success...


James Rosenquist. Painting Below Zero: Notes on a Life in Art.
“Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon







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