David LaChapelle
David LaChapelle was born 1969 BirthConnecticut, USA.
Lives and works in HomeNew York, USA.
Categories: Photography
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Documents of modern & contemporary art.
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David LaChapelle’s unfettered images, both bizarre and gorgeous, have appeared on and in between the covers of Italian Vogue, Vanity Fair, Rolling Stone, i-D, Vibe, Interview, The Face, British GQ, etc.. He is currently under contract with Vanity Fair. His uncompromising dedication to originality is legend in the worlds of fashion, film, and advertising. LaChapelle has done advertising campaigns for a variety of clients including L’Oreal, Iceberg, MTV, Ecko, Diesel Jeans, Sirius, Ford, Sky Vodka and the Got Milk campaign. David has photographed numerous album covers and packages for such artists as Macy Gray, Moby, No Doubt, Whitney Houston, Lil’ Kim, Elton John, and Madonna…
Interview with the artist
David LaChapelle is a photographer who tends to create his own visionary world, rather than reproduce what’s visible in the world…
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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new... |
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South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success... |
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James Rosenquist. Painting Below Zero: Notes on a Life in Art. “Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon |
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