Cristina Iglesias
Cristina Iglesias was born 1956 BirthSan Sebastian, Spain.
Lives and works in HomeMadrid, Spain.
Categories: Installation art Sculpture Objects Printmakers
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Documents of modern & contemporary art.
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Cristina Iglesias developed a highly individual voice in the European and American sculpture tradition of the 80’s and 90’s, sharing a certain theoretical framework with her fellow sculptors. In her sculpture no reference whatsoever is made to the human body, but rather to nature and landscape…
Cristina Iglesias has had solo shows throughout Europe, Canada and the USA, becoming one of the youngest artists ever to receive a major exhibition at New York’s Guggenheim Museum in 1997. Major public commissions by the artist can be found in Minneapolis, Antwerp and Barcelona…
Installation views
Works in the TATE collection
Cristina Iglesias y una de sus obras, ‘Sin título’ (Habitación de acero inoxidable), abajo.
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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new... |
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South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success... |
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James Rosenquist. Painting Below Zero: Notes on a Life in Art. “Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon |
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