Claus Bohmler works with the media. Since they seem to function so well, he takes them apart, examines them, and then, perhaps, assembles them anew. This process doesnt create chic elements for the living rooms of the communication-theorists, the sociologists, or the simulation-apocalyptic, but rather the same sort of rudimentary raw material as found in notebooks, drawings, miniture cameras, radios, photostats, and cassettes. Its these poor media that open eyes and ears…
We paint with the red of the cabbage, the green of the clover, the blue of the heavens, the white of the mildew, the black of the night, the red of the signals … oblong red, angular yellow, round blue, short yellow, gradated red, pointed scarlet, streaky grey…’