Christodoulos Panayiotou
Christodoulos Panayiotou was born 1978 BirthLimassol, Cyprus.
Categories: Multimedia Performance Art Taipei Biennial
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an artist who incisively explores the complex interconnections between our most innate desires and their cultural constructions. From fighter planes and fireworks to yesterdays confetti and songs whose lyrics we are almost embarrassed to know by heart, Panayiotou crafts concise videos, objects and ephemeral situations that reveal a playful wit and an eye for the sex appeal and abstract beauty of our everyday world. At once ironic yet tender, analytic but deeply felt, his work is that of a savvy cultural consumer who is not afraid every now and then to fall for the very romantic myths and pop productions he so deftly probes…
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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new... |
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South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success... |
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James Rosenquist. Painting Below Zero: Notes on a Life in Art. “Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon |
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