Chen Xiaoyun
Chen Xiaoyun was born 1971 BirthHubei Province, China.
Lives and works in HomeHangzhou.
Categories: Installation art Multimedia Photography Sydney Biennale
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Documents of modern & contemporary art.
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Works and biography
With his video works and largescale photographs, Chen Xiaoyun examines the relationship between the individual and society in China’s rapidly changing cultural climate. His works emphasise the artist’s role in searching for possible ways in which the individual can escape, often using strong, apparently meaningless and anarchic gestures to illustrate the human individual within its environment…
Who is the Angel?
These last few years, China contemporary art initiated an increasing focus from the international art scene and the Chinese art market reached unprecedented records. This phenomena was furthermore intensified by the multiple biennales, art fairs and exhibitions held in China and abroad. However, although numbers of publications on this matter have been written, most […]
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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new... |
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South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success... |
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James Rosenquist. Painting Below Zero: Notes on a Life in Art. “Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon |
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