Charlotte Salomon
Charlotte Salomon was born 1917 BirthBerlin, Germany.
Died 1943 deathAuschwitz, Poland.
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Documents of modern & contemporary art.
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Life? or Theatre?
Description of the exhibition.
Description of the exhibition.
During a major life crisis the 23-year-old Charlotte Salomon paints the story of her life: Born in Berlin in 1917, she emigrated to her grandparents in the South of France in 1939. When her grandmother committed suicide, Charlotte Salomon learned that her mother had killed herself as well…
Executed in three primary colours, the gouaches read like a series of story boards for a film, following the events of Salomon’s life. The works have been likened to a diary, but her account is fictionalized, with the main characters in Solomon’s life acting as the dramatis personnae. The gouaches speak to the drama of relationships and what it means to be human.
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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new... |
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South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success... |
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James Rosenquist. Painting Below Zero: Notes on a Life in Art. “Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon |
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