Barbara Rosenthal
Homo Futurus; Cassandra-on-the-Hudson
Barbara Rosenthal was born 1948 BirthThe Bronx, NYC, USA.
Lives and works in HomeNew York City.
Categories: Installation art Multimedia Photography Performance Art Conceptual Art
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Documents of modern & contemporary art.
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BARBARA ROSENTHAL is a Cross-Media Artist whose major contribution is to have brought existential content, through the subconscious, to Conceptualism…"An authority born of constant introspection characterizes her photographic meditations …"—Ellen Handy, Arts Magazine.
Avant-garde Prints, Multiples, Photography, Books, Objects,
Installations, Performances, Video, Film, Writings, Reviews, Resume,
Catalogue Raisonné 1968-2007.
30 artist’s books and editioned objects, current Museum of Modern Art “Dadabase” Collection. Keyword “Rosenthal, Barbara”
Cross-Media Installation during Artist’s Residency at Red Gate
Gallery.
Taboo Or Not Taboo" Review and Profile, NYArts Magazine, March 2006
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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new... |
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South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success... |
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James Rosenquist. Painting Below Zero: Notes on a Life in Art. “Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon |
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