There is something ethereal and mysterious about the work of Israeli artist Avner Ben-Gal. Perhaps it is the smoky allure of feeling as though one is looking through a window or spying on the scene set by Ben-Gal…
Avner Ben Gal also makes use of a hermit. In her Corn, we are shown a crazed black man – conforming somewhat to type; large balls hanging, skinny body, ‘afro’ hair and beard – tending to his harvest of scorched corncobs in front of his equally scorched and dilapidated shack…
…In these paintings low lives, whores, transvestites and stooges, whose sexual identity is often ambiguous, are depicted in an abstracted, deserted and raw landscape.
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