Art and Language
Art and Language was born May 1969 BirthUnited Kingdom.
Michael Baldwin, Terry Atkinson, Mel Ramsden, Charles Harrison, David Bainbridge, Harold Hurrell. Conceptual art.
Categories: Installation art Conceptual Art
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The images of the installation Homes from Homes 2 (2000-2001) refer to Art & Language’s earlier works, and to older works in the collection of the migros museum for contemporary art. Since the reproductions differ in terms of size, color, technique and integrated textual components, they appear to be copies or travesties, parodies of the originals…
Art & Language est un groupe d’artistes britanniques conceptuels (à l’origine Terry Atkinson, David Baimbridge, Michael Baldwin, Harold Hurell) créé en 1968 autour d’une revue, Art-Language. Pour ces artistes, tout art visuel dépend conceptuellement du langage. Ils pensent l’art comme un lieu collectif d’élaboration théorique et pratique et contestent la position hégémonique attribuée à l’ordre du visuel et la conception idéaliste du créateur.
TATE gallery
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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new... |
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South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success... |
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James Rosenquist. Painting Below Zero: Notes on a Life in Art. “Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon |
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