Ardengo Soffici
Ardengo Soffici was born Apr 7 1879 BirthRignano sull'Arno, Italy.
Died Aug 19 1964 deathVittoria Apuana, Forte dei Marmi (Toscane), Italy.
Categories: Futurism Metaphysical Painting Valori Plastici
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Pittore, scrittore e critico per molto tempo si pose il problema del rapporto fra politica e arte…
In 1897 Soffici enrolled at the Accademia after moving with his parents to Florence and later studied at the Scuola Libera del Nudo. He moved to Paris in 1900 and remained there for seven years, his circle of friends including Braque, Derain, Picasso, Gris and Guillaume Apollinaire, whom he met through his work for Symbolist journals.
Op 7april 1879 geboren in Rignano sull’Arno (Italië). Zijn ouders verhuisden naar Florence, waar hij vanaf 1897 tot 1903 de kunstacademie Fattori all’Accademia di Belle Arti di Firenze volgde. In 1900 bezocht Soffici Parijs om de wereldtentoonstelling te zien…
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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new... |
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South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success... |
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James Rosenquist. Painting Below Zero: Notes on a Life in Art. “Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon |
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