Aida Makoto
Aida Makoto was born 1965 BirthNiigata, Japan.
Lives and works in HomeTokyo Japan and New York USA.
Categories: Installation art Painting Singapore Biennale
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Documents of modern & contemporary art.
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Encounter of the Fat and the Slim with Ten-thousand Yen Bill Background
For several years now, the Tokyo art scene has been trying its best to keep up with the work of Makoto Aida, a task made difficult by the fact that it is nearly impossible to anticipate where the enigmatic artist will go next. At the ripe old age of 35, Aida has covered most of the artistic angles with an oeuvre that includes manga, painting, video, and installation, executed with such a wide range of expressive qualities that it is difficult to believe all could have been created by a single artist…
Interview with the artist (Chinese)
Harakiri School Girls
Lost Object
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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new... |
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South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success... |
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James Rosenquist. Painting Below Zero: Notes on a Life in Art. “Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon |
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