Photography, artists and art
Since the end of the 1950s, Bernd and Hilla Becher have been traveling around Europe and North America. They photograph mines, winding towers, gas containers, blast furnaces, power stations, cooling towers, grain silos, warehouses. They have to this very day remained true to their project of an almost encyclopedic stocktaking of anonymous utility buildings from the age of industrialization. In doing so, they opt for a decidedly matter-of-fact and sober visual idiom that is appropriately expressed by black-and-white photography. This ensures that the steel edifices stand out particularly vividly. In the serial setting, the individual shots (which reveal basic shapes and deviations, similarities and differences) merge to form typologies.