Abstract Expressionism
A new vanguard emerged in the early 1940s, primarily in New York, where a small group of loosely affiliated artists created a stylistically diverse body of work that introduced radical new directions in art—and shifted the art world’s focus. Never a formal association, the artists known as “Abstract Expressionists” or “The New York School” did, however, share some common assumptions. Among others, artists such as Jackson Pollock (1912–1956), Willem de Kooning (1904–1997), Franz Kline (1910–1962), Lee Krasner (1908–1984), Robert Motherwell (1915–1991), William Baziotes (1912–1963), Mark Rothko (1903–1970), Barnett Newman (1905–1970), Adolph Gottlieb (1903–1974), Richard Pousette-Dart (1916–1992), and Clyfford Still (1904–1980) advanced audacious formal inventions in a search for significant content..
all the artists of Abstract Expressonism here

American Abstract Expressionism of the 1950s: An Illustrated Survey With Artists’ Statements, Artwork, and Biographies
New York School Abstract Expressionists Artists Choice by Artists, intends to present a wider view. By representing eighty eight painters and sculptors of the American avant-garde it intends to show the most engaged mainstream creative work between 1950 and 1959 in New York and across the USA. The artists were all born prior to 1927 (they were at least 24 years old by 1950) and are represented in alphabetical order with statements in their own words, two full page reproductions and a biography.

Willem de Kooning: The Artist’s Materials
This in-depth study of the paintings of Willem de Kooning (1904–1997) from the 1940s through the 1970s breaks new ground in its analysis of the artist’s working methods and yields new information about previously unreported materials. De Kooning’s idiosyncratic working methods have long engendered intense speculation and debate among conservators and art historians, primarily on the basis of visual inspection and anecdotal accounts rather than rigorous technical analysis. This is the first systematic study of de Kooning’s creative process to use comprehensive scientific examinations of the artist’s pigments, binders, and supports to inform art historical interpretations, thereby presenting a key to the complicated evolution of the artist’s work.Written for conservation scientists, conservators, specialists in modern art history, museum curators, and practicing artists, this book offers insights into the way an artist can achieve radical changes in style. The technical discussions will have practical applications for conservators, curators, collections managers, and collectors who care for twentieth-century art.

Willem de Kooning biography and resources

Jackson Pollock
How did Jackson Pollock become a cult figure for the Beat Generation? And what caused his reputation to continue to soar? This compelling and original Abrams classic, now back in print, locates the artist in the continuum of his times, recreating the social and cultural milieu of New York in the 1940s and 1950s. With extensive knowledge of Pollock’s habits (much of it gained through interviews), his reading, his conversation, and the exhibitions he visited, the author retraces many of the far-flung sources of Pollock’s work. A wealth of comparative photographs that illustrate paintings by artists Pollock admired further explains the work of this complex, tragic, and immeasurably influential figure. Pollock’s big, bold canvases are reproduced in five colors to convey the brilliance of his network of tones, his aluminum paint, and his sparkling collage materials. Six gatefolds show his vast horizontal works without distortion and a chronology provides a summary of the major events of Pollock’s life.

Jackson Pollock biography and resources

The Paintings of Joan Mitchell
Mitchell disliked being affiliated with the movement and especially objected to being viewed as a woman artist. Using Mitchell’s journals and correspondence, Livingston (Richard Avedon, etc.) follows the evolution of Mitchell’s painting and discusses her technique, which showed more concern with color than with the integrity of the medium.

Joan Mitchell biography and resources

Franz Kline
Acclaimed as the definitive volume on Kline, this book provides firsthand accounts of his Bohemian life and powerful work.
Franz Kline spent years struggling to find a style for himself and then achieved "overnight success" with his dramatic black and white abstractions. They were, in fact, so successful that they overwhelmed every other aspect of Kline’s art, and as a result he has been oversimplified and underestimated. Now, after nearly twenty years of research, Harry F. Gaugh has written the definitive volume on Kline, which provides the first comprehensive view of his life and work, and reveals how unexpectedly complex they both were.

Franz Kline biography and resources

Philip Guston: Roma
Since Philip Guston’s death in 1980, his late figurative paintings and drawings have steadily reaped the acclaim they deserve–acclaim that was largely denied them during Guston’s lifetime (Hilton Kramer infamously reviewed Guston as a "mandarin pretending to be a stumblebum" in a damning 1970 New York Times article). This volume reunites a selection of paintings from the Roma series, completed during Guston’s residency at the American Academy in Rome in 1970-71. From early in his career, Guston had taken inspiration from Italian art, and his 1973 painting "Pantheon" features a list of Italian painters: de Chirico, Masaccio, Piero della Francesca, Giotto and Tiepolo. Italian cinema (especially Fellini) and classical sculpture were also dear to his heart. The Roma works consolidate this dialogue with Italian art and culture. Diary entries published alongside the reproductions recount exchanges at the American Academy, pilgrimages to Venice, Arezzo, Sicily and Orvieto, and observations of the international cultural community in Rome.

Philip Guston biography and resources

Mark Rothko
This beautifully produced, oversized monograph on the American artist Mark Rothko, presents over 100 of his works in full-color plates that reveal his remarkable genius. Rothko is one of the towering figures of Abstract Expressionism, and in fact, of 20th-century painting as a whole. His paintings, predominantly in a large format and featuring horizontal layers of pigment on a monochrome foundation, will forever be in our pictorial memory as the epitome of classical modernism…

Mark Rothko biography and resources

Hans Hofmann
Nature’s purpose in relation to the visual arts is to provide stimulus-not imitation….From its ceaseless urge to create springs all Life-all movement and rhythm-time and light, color and mood-in short, all reality in Form and Thought." -Hans Hofmann
This book is the only comprehensive treatment of one of Abstract Expressionism’s most important forefathers: Hans Hofmann. Hans Hofmann attends to every stage of his prolific career. Nearly 300 gorgeous color plates reveal this modern master’s extraordinary sense of color: beautifully vibrant greens, rich blues and brilliant reds organized in strikingly powerful patterns. Sam Hunter, Professor Emeritus at Princeton University, writes a substantive essay on every aspect of Hofmann’s distinguished body of work. Five important essays by the artist himself are included, revealing his philosophy of art which was so influential to the generations that followed him. Frank Stella, an important painter who deeply admired his work, also contributes an essay.

Hans Hofmann biography and resources

Robert Motherwell: Open
Robert Motherwell, who died in 1991, was the youngest member of the first wave of Abstract Expressionists known as the New York School (a phrase he coined), which also included Jackson Pollock, Mark Rothko, Willem de Kooning and Barnett Newman. An articulate writer, Motherwell was pegged early on as the intellectual of the group. Robert Motherwell: Open is the first examination of the painter’s Open series, which preoccupied him from 1967 until the last years of his life. Pared down and minimal, these paintings differ greatly from his more dynamic and monumental Elegies series, for which he is perhaps best known. Containing many previously unpublished paintings as well as works in public collections, this monograph–the most comprehensive and best-illustrated book on Motherwell currently in print–introduces a series of texts by critics and art historians John Yau, Robert Hobbs, Matthew Collings, Donald Kuspit, Robert Mattison, Mel Gooding and Saul Ostrow.

Robert Motherwell biography and resources

Arshile Gorky: A Retrospective (Philadelphia Museum of Art
Arshile Gorky (c. 1904–1948) was one of the central figures in American art’s shift toward abstraction during the first half of the 20th century. Accompanying the first major retrospective of his work in almost thirty years, this stunning book traces the evolution of Gorky’s arresting visual style. Nearly 200 paintings, drawings, sculptures, and prints from all phases of his career, a number of which are published here for the first time, are beautifully reproduced, including a large figurative painting from 1927 known previously only through its preparatory studies. Throughout the volume, some of Gorky’s best-known and most powerful works are paired with related pieces or with meticulous preliminary studies, shedding new light on his artistic process. Illustrated essays incorporating recently discovered biographical information and photographs examine his experience of the Armenian genocide (during which he witnessed the death of his mother), his collaboration with the Works Progress Administration, and his early explorations of abstraction and Surrealism, providing important reassessments of his life and career.

Admired by many of his contemporaries and hugely influential on subsequent generations of artists, Gorky created a complex and deeply moving body of work that encompasses styles ranging from Impressionism to Cubism, Surrealism, and the beginnings of Abstract Expressionism.

Arshile Gorky biography and resources

Abstract Expressionism and the American Experience: A Reevaluation
Irving Sandler, the preeminent chronicler of postwar American art, returns to the subject with this new study drawing fresh conclusions about Abstract Expressionism that he has arrived at since his first publication of the movement 1970.

All the artists of Abstract Expressonism here